8 Ball

$24.99

in memoriam TEXAS DOUGLAS RYAN MYERS

For Clarinet Quartet

8 Ball is an exploration of the emotional swings of grief — shock and sorrow, emptiness and isolation, pain and finality — mixed with wistful, treasured memories recognizing the blessing of sharing life with a loved one, and added to this the hope of eternal reunion. It’s written in memory of my brother, Tex, who we lost to COVID in 2020. In homage to his passion, dirt track racing, there is a contrasting section of paint-swapping, fender-bending frenzy, which comes to an all too sudden end as did his life. The title has nothing to do with billiards but refers to his long-tenured racing number and logo. The music uses unconventional scales which are actually six-tone pitch sets treated as different key centers that produce a lush mixture of consonance and dissonance that at turns feel comforting and unsettling. Writing 8 Ball was a cathartic experience to explore my own emotions, cement my brother’s proper place in my memories, and produce a tangible expression of my love for him. It was written as an assignment in the 2023 summer composition workshop at Tarrant County College. I’m grateful to my instructor, Dr. Aaron Kline, the music department at TCC, and the musicians of our performing quartet for their part in bringing this music to life.

Robert Myers
S.D.G.

 

Duration: ~8’15”

 

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A Prayer of Beauty

$19.99

 

Reflections on MATERNA

For Brass Quintet

A Prayer of Beauty is a re-imagining of “America, the Beautiful” written for professional, college, or advanced high school brass quartet. Independent lines, mixed meters, and adventurous harmonies will challenge musicians. But the familiar melody, rich colors, and glowing resolutions provide a delectable reward for the effort. The pathos, introspection, and hope found in the music will also leave listeners feeling enriched for the experience.

 

The music’s message is timely and urgent and works well for programming as commentary on current events but is also sufficiently broad and deep to complement varied concert themes. It has sufficient artistic merit to hold its own with other art music while still holding wide audience appeal.

Duration: ~5’00”

 

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Pathos Chorodia

$19.99

PASSION CHORALE

For Pierrot Ensemble

Although the familiar melody is ever-present in this setting of “O, Sacred Head Now Wounded” it will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, which is the anguish of the crucifixion’s witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its appalling horror.

 

The music may be successfully performed with advanced high school or later musicians. It is not excessively demanding technically but will require artistic taste and expressiveness and good counting skills. It is well suited for recital or chamber ensemble concert in either secular or sacred venue.

 

Duration: ~4’05”

 

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Fairest Friend

$17.99

For Flute, Horn or Trombone, Piano, Drum Set, Strings/Synth

Fairest Friend is a medley of two beloved hymns, Fairest Lord Jesus and What a Friend We Have in Jesus. It is set as a flute and horn (or trombone) duet with piano accompaniment. Optional rhythm and strings/synth may be used if available or to add color but the piece works well with the three principal instruments.

Duration: ~4:00

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FOUNDATION

$14.99

For Low Brass or Trombone Quartet

Foundation is part of my Americana Miniature series of early American hymns and folk songs. These are short and fairly simple settings of well-known American music intended for church or community venues and are playable by intermediate level musicians. Foundation is set for trombone or low brass quartet with rich harmonies, varied meters, and melodic interest in all parts.

 

Duration: ~1’50”

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