Scherzo No. 1 in C-minor

$2.50

 

a frenetic whimsy

For Solo Piano

Scherzo No. 1 in C-minor is a short, rapid-fire, and light-hearted piano solo for nimble fingers. Despite the minor key-center, the heavy syncopation, headlong tempo (allegro furioso!), and brief foray into F-major, give the scherzo a happy and amusing disposition, which is fitting for scherzo’s original meaning of “musical joke.” The piece is not complex but its pace requires good dexterity to play it well at tempo. Scherzo No. 1 will provide an excellent change of pace/mood for a concert or recital program.

 

Duration: ~ 0’50”

 

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First Impressions: On Second Thought

$4.99

 

a Rondo in the style of Debussy

For Solo Piano

First Impression: On Second Thought is an excursion into the impressionistic world of French composers Claude Debussy and Maurice Ravel with seasonings borrowed from 20th Century pioneers such as Charles Ives and Paul Hindemith. It is set in a rondo structure where the adventurous and tonally unstable ‘A’ sections surround distinct, sweet, and lyrical passages. The work is not particularly difficult but it allows the adventurous pianist to explore unique artistic expressions that are still accessible to the casual listener. Suitable for concert stage or recital hall.

 

Duration: ~8’00”

Here’s Alfred Situmorang performing
First Impressions: On Second Thought

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Long Expected Jesus

$6.99

For Brass QUINTET

This fresh setting of the Welsh tune, HYFYRDOL, works perfectly for an offertory, prelude, or devotional function. Although written for the Advent season, the multiple familiar hymns set with this tune (e.g., Jesus, What a Friend for Sinners; Love Divine, All Loves Excelling; Come, Thou Long Expected Jesus; etc.) make the piece suitable throughout the church year. It is readily performed by high school or higher musicians yet still contains sufficient variety and artistic expression to be rewarding for even advanced performers. The familiar melody is stated clearly throughout and accompanied with interesting and sonorous harmonies so as to be accessible to all audiences.

Duration: ~3’40”

 

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Fingal’s Fantasy

$7.99

For Solo Piano

Fingal’s Fantasy is built on three synthesized, seven-pitch scales derived from the first three variations of the opening theme of Felix Mendelssohn’s Hebrides Overture, better known as Fingal’s Cave. Each scale is developed in its own section to build a three-part work of contrasting styles. Mendelssohn’s original motive can be clearly heard in the first development but appears more heavily disguised in subsequent sections. Despite the use of synthetic scales, the piece ends with a strong declaration of B-minor in homage to Mendelssohn’s selected key for Fingal’s Cave. Fingal’s Fantasy is only moderately difficult but will engage even advanced performers with an excursion into 21st century composition. It is suitable for concert or recital repertoire.

Duration: ~5:45

 

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A Hymn of Beginnings

$7.99
Fantasia on BUNESSAN

For Solo Bassoon and Piano

Looking for a sacred bassoon solo? Well, you’ve found it! Utilizing the melody from Morning Has Broken(the traditional Gaelic tune BUNESSAN) A Hymn of Beginnings presents a familiar yet fresh treatment of the tune in this setting for solo bassoon and piano. Suitable as a prelude, postlude, offertory, meditative, or other functions in a sacred service it is also at home in a recital or concert program.

Duration: ~3’00”

 

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