(Original posting 5/21/2017) Well, with the finale (He Became Like Me) completed it’s time to move back to the two remaining unwritten movements in my Easter cantata. These will be the settings of the crucifixion and the resurrection of Christ. Of course, these are the two most daunting movements. It’s not the music that is intimidating, as I already know what I want to do, but the gravity of the subject matter as the two most important events in Christianity weighs heavily as a duty to set them well. First up will be the crucifixion setting, which will also include the Garden of Gethsemane and the trial, and will be called, Wounded, Bleeding, Still Proceeding. It will feature tenor solo with SATB chorus. The harmonies selected for this piece are inspired by Sergei Rachmaninoff’s setting of Simeon’s Song, the “Nïne otpushchayeshi” from his All Night Vigil. Although somewhat camouflaged, the strings introduce Wounded, Bleeding, Still Proceeding with “Nïne otpushchayeshi’s” opening swaying chords and the rocking motion carries on as underlying accompaniment to the melody. We shall see how it turns out!
In both Colossians 3 and Ephesians 5, Paul uses the phrase “psalms, hymns, and spiritual songs” when commanding the church to use music in its discipleship. Are these terms three different kinds of music? Synonyms meaning pretty much the same thing? Generic terms embracing all kinds of music? Well, analyzing Paul’s use of Greek is […]
Well, I’ll leave you to look up the Blazing Saddles reference yourself if it’s not familiar to you, but, while you’re here, I do have some questions for you to consider: Where do music ministers, often called worship leaders, come from? How do they become caretakers of your church’s music? What training should they have? […]
I finally jumped off the bridge and installed NotePerformer 3.2 this week as my virtual instrument library on my 25.4 version of Finale. Here is my initial, and highly premature, reaction to this shiny new toy. First off, what is NotePerformer? It is a software library, produced by Wallander Instruments, of most orchestral and band […]
In 1861, the sight of Northern troops assembling in Washington, D.C., inspired Julia Ward Howe to pen the words to The Battle Hymn of the Republic, which begins, “Mine eyes have seen the glory of the coming of the Lord.” Although originally intended to stimulate patriotic fervor, the text’s potent depiction of biblical themes – […]
Holy Week is behind us with a mixture of relief and fulfillment as we bask in the afterglow of remembering the resurrection. But the music minister has no time to relax with summer rapidly approaching. Putting together the summer program is perhaps less intense than the Easter and Christmas seasons but has its own set […]
It is merely a recognition, hopefully correct, of a principle Paul took for granted that can be inferred from the structure and context of Eph 5:18-21 and Col 3:16: namely, our use of music, and especially music in worship, is essential to the proper development of Christian character.