Back Cover
Flip to Back Look inside

$1.99

Make His Praise a Glorious Thing

with Rhythm Section

with Optional Orchestral accompaniment

+

For SATB Chorus and Piano/Rhythm

Make His Praise a Glorious Thing is a new setting of the English language’s great doxology from the pen of Thomas Ken. It builds on his words with references to the Psalms’ multitude of exhortations to exuberantly praise God in manifold ways with glorious praise. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.

 

Although set for SATB choir, it is hoped that this accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing.

 

Duration: ~2’00”

 

Purchase

 

, ,
Share

Make His Praise a Glorious Thing is meant to be very flexible in its application, and adaptable to many styles and settings. This arrangement may be accompanied by piano alone, piano and organ, or with piano/keyboard and rhythm section. There is also optional orchestration available to give it a grand flavor. The four-part harmony works well as a choral anthem, or use the familiar words and fetching melody to teach it quickly to your congregation. It can work as a thematic song for conferences or evangelistic meetings; it can be a regular opening or closing piece in chapels or evening services; or place it in your regular song rotation wherever an enthusiastic setting of the Doxology would fit. Make His Praise a Glorious Thing is meant to encourage the redeemed to offer joyful, enthusiastic, and glorious praise to Father, Son, and Holy Spirit so use it creatively to do so!

Companion orchestration is available here.

Reviews

There are no reviews yet.

Be the first to review “Make His Praise a Glorious Thing”

Your email address will not be published. Required fields are marked *

Related products

Wheatmyer At The Cross 8×11
Add to Wishlist
Compare

At the Cross

$2.25

SATB Chorus and Piano

At the Cross is a simple arrangement of the beloved hymn with fresh and poignant harmonies. Set for SATB choir with piano accompaniment, it is moderately easy but rewarding of good musicianship. The light, delicate accompaniment directs the focus onto the text while providing the perfect amount of color and interest. It allows a choir to show artistic merit without enduring exhaustive preparation. This arrangements portrays the traditional first and fifth stanzas of Isaac Watts’ hymn with a statement of an amended version of Ralph Hudson’s gospel refrain.

Duration: ~3’42”

Purchase

 

Add to Wishlist
Compare
Wheatmyer Lo A Rose 8×11
Add to Wishlist
Compare

Lo, a Rose

$2.25

 

Es ist ein Ros entsprungen

For SATB Chorus and Piano

Lo, a Rose is a somber, contemplative setting of the incarnation of Christ as described in the traditional German carol, Es ist ein Ros entsprungen. This arrangement is moderately easy but allows good musicianship to shine. The light and delicate accompaniment, with hauntingly beautiful harmonies, directs the focus onto the text while providing just the right amount of color and interest. Thus, Lo, a Rose, allows a choir to demonstrate artistic merit without enduring exhaustive preparations. The setting portrays that the light and salvation brought to us by the Rose was achieved via bitterness and sorrow.

Lo, a Rose is a perfect complement to a Christmas Eve service, or a vehicle to contemplate the incarnation, or as part of any Christmas musical presentation.

Duration: ~4’55”

Purchase

 

Add to Wishlist
Compare
Wheatmyer Like A River Glorious 8×14
Add to Wishlist
Compare

Like a River Glorious

$2.25

For Orchestra

Like a River Glorious is a brief once-through of the traditional hymn tune WYE VALLEY meant to be ready to play in one rehearsal. It depicts the order, peace, and timelessness of God’s eternal kingdom with a sense of perpetual movement through the metaphor of a grand and majestic river. Readily playable by your school age musicians yet colorful and interesting enough to satisfy your most experienced players, Like a River Glorious fits perfectly into your services as prelude, postlude, or transitional musical worship while still being suitable for academic or civic concert settings.

Duration: ~1’50”

 

Purchase

 

Add to Wishlist
Compare
Wheatmyer CLEANSING FOUNTAIN 8×11
Add to Wishlist
Compare

Meditation on CLEANSING FOUNTAIN

$12.99 
Performance by SAGA Saxophone Quartet

For Saxophone Quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone)

Meditation on CLEANSING FOUNTAIN is a setting of an archetypal Early American camp meeting tune interpreted through the lens of compositional techniques developed by 20th Century composers, such as the quintessential American composer Aaron Copland. The result is thus a new and uniquely American take on an American classic. It is meant to be simultaneously fresh and familiar, and at home in contemporary artistic or sacred settings  while still being easy on the ears. The music is set for traditional saxophone quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) and is suitable for intermediate to advanced players. Purchase price include full score and set of parts.

Duration: ~4’45”

Purchase

Here is the SAGA Saxophone Quartet performing

Meditation on CLEANSING FOUNTAIN

Add to Wishlist
Compare
Wheatmyer Sagina 8×14
Add to Wishlist
Compare

SAGINA

$75.00

 

And Can It Be?

For Orchestra

OK, to answer your first question, call it “suh-JEE-nuh.” Rhymes with Regina. This arrangement is a colorful and moving setting of the Charles Wesley hymn, “And Can It Be,” for traditional orchestra. The beauty of the music, the prominence of the familiar tune, and the text painting of Wesley’s poignant lyrics will find immediate acceptance in the hearts of its hearers. Aside from frequently shifting asymmetrical meters the difficulty level is very basic yet your musicians should still find it interesting and fulfilling to play.

 

In 1825, Thomas Campbell published a collection of twenty-three tunes under the title of The Bouquet. Campbell gave each of these tunes the name of a botanical species. One, titled SAGINA, was named for the family of flowering plants that includes baby’s breath and carnations.

Almost a century ealier, in 1738, Charles Wesley wrote six stanzas for his hymn titled “And Can it Be” as a reflection on his conversion to Christianity. By the mid-twentieth century, Campbell’s tune had become irrevocably wedded to Wesley’s verse in Christian hymnody. Two of Wesley’s stanzas along with the refrain, shown below, were chosen as inspiration for the music in this arrangement of the classic hymn tune.

 

Three accommodations make the music more accessible to church and community orchestras. First, important passages are liberally cued to keep the music workable even without full instrumentation. Second, several optional parts for band instruments are provided to allow current and former band musicians take part beside your orchestra players. And third, the piano/synthesizer part doubles key passages from most of the less common instruments such as harp, vibraphone and chimes.

 

Robert Myers
S.D.G.

 

Duration: ~4’45”

Purchase

 

Add to Wishlist
Compare
Wheatmyer Twelve Score 8×14
Add to Wishlist
Compare

Twelve

$65.00

Live Recording:

Simulated Instruments and Voices:

For SATB Chorus, Piano, Bb Clarinet, and Cello

There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently compels me to do what I can to promote their increase.

 

The brief twelfth Psalm is a lament painting a bleak scenario of engulfing depravity and vanishing righteousness in ancient Israel. It could just as well have been commentary on the decline of morality in contemporary Western society. Further, rather than offering resolution or relief for the psalmist’s desperate plea for help, the Psalm asserts that “the words of the LORD are pure words,” to say in effect that hope stands only in the Word of God.

 

TWELVE attempts to capture this chaos and despair of the twelfth Psalm through pointillistic phrasing, dissonant harmonies, cross rhythms, and extended choral and instrumental techniques. The psalm’s slender ray of hope is portrayed in a contrasting section of subdued peacefulness painted with flowing themes in conventional harmonies.

Duration: ~8’40”

 

Purchase

 

Add to Wishlist
Compare