SAGINA

$75.00

 

And Can It Be?

For Orchestra

OK, to answer your first question, call it “suh-JEE-nuh.” Rhymes with Regina. This arrangement is a colorful and moving setting of the Charles Wesley hymn, “And Can It Be,” for traditional orchestra. The beauty of the music, the prominence of the familiar tune, and the text painting of Wesley’s poignant lyrics will find immediate acceptance in the hearts of its hearers. Aside from frequently shifting asymmetrical meters the difficulty level is very basic yet your musicians should still find it interesting and fulfilling to play.

 

In 1825, Thomas Campbell published a collection of twenty-three tunes under the title of The Bouquet. Campbell gave each of these tunes the name of a botanical species. One, titled SAGINA, was named for the family of flowering plants that includes baby’s breath and carnations.

Almost a century ealier, in 1738, Charles Wesley wrote six stanzas for his hymn titled “And Can it Be” as a reflection on his conversion to Christianity. By the mid-twentieth century, Campbell’s tune had become irrevocably wedded to Wesley’s verse in Christian hymnody. Two of Wesley’s stanzas along with the refrain, shown below, were chosen as inspiration for the music in this arrangement of the classic hymn tune.

 

Three accommodations make the music more accessible to church and community orchestras. First, important passages are liberally cued to keep the music workable even without full instrumentation. Second, several optional parts for band instruments are provided to allow current and former band musicians take part beside your orchestra players. And third, the piano/synthesizer part doubles key passages from most of the less common instruments such as harp, vibraphone and chimes.

 

Robert Myers
S.D.G.

 

Duration: ~4’45”

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Were You There?

$7.99

a Traditional African-American Spiritual

For Solo Tuba and Piano

The origins of this traditional African-American spiritual likely predate the Civil War. Since its first publishing in 1899 it has become prevalent in the hymnals of nearly every American Christian denomination. Its simple lyrics and haunting melody hardly fail to strike a personal and intimate chord within Christians as they sing, “Were you there when they crucified my Lord? Sometimes it causes me to tremble, tremble, tremble.”

 

This arrangement was set to fill a particular need. When the search for an arrangement of sacred tuba material suitable for the considerable talents of our church’s player produced little fruit, creating a brand new arrangement became the obvious solution. Thus, necessity and inspiration came together to produce this piece in just a few days. It makes three statements of the melody in contrasting harmonic settings, opening with polytonal language reflecting the grotesqueness and irony of man crucifying his God. The burial stanza is portrayed in a minor key with a dirge-like pulse. For the resurrection, the music moves to a major key while swelling to a climax. It closes with a nebulous tonal center and omits the final melodic phrase to leave the listener contemplating how these events often cause our hearts to tremble, tremble, tremble.

Duration: ~4’20”

 

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