Near the end of his career, Erik Satie wrote five pieces for piano designated as nocturnes. Contrary to most of his oeuvre, these five pieces lack the satire, wit, and non-conformity Satie usually exhibited. Still, they are unmistakably Satie: soothing,floating, and very French. This work is a straightforward arrangement of Satie’s 4th Nocturne, applying the color and dynamic ranges of the orchestra to his piano writing while maintaining the enchanting dance-like character of the original work.
8 Ball is an exploration of the emotional swings of grief — shock and sorrow, emptiness and isolation, pain and finality — mixed with wistful, treasured memories recognizing the blessing of sharing life with a loved one, and added to this the hope of eternal reunion. It’s written in memory of my brother, Tex, who we lost to COVID in 2020. In homage to his passion, dirt track racing, there is a contrasting section of paint-swapping, fender-bending frenzy, which comes to an all too sudden end as did his life. The title has nothing to do with billiards but refers to his long-tenured racing number and logo. The music uses unconventional scales which are actually six-tone pitch sets treated as different key centers that produce a lush mixture of consonance and dissonance that at turns feel comforting and unsettling. Writing 8 Ball was a cathartic experience to explore my own emotions, cement my brother’s proper place in my memories, and produce a tangible expression of my love for him. It was written as an assignment in the 2023 summer composition workshop at Tarrant County College. I’m grateful to my instructor, Dr. Aaron Kline, the music department at TCC, and the musicians of our performing quartet for their part in bringing this music to life.
