This addresses a topic I explored earlier in Who Decides What Is Beautiful?
All composers would love to have a full professional orchestra/ensemble/choir standing in anticipation of our latest work, and a very precious few have that luxury, but most of us have to either hunt for a group willing to play our music or, as for most church music, write for the group the Lord has placed at hand. Such is the case for a just completed project. At our church we have a string section consisting of players who have just started a year or two ago, one or two who make their living as musicians, and every experience level in between. Our orchestra director approached me recently to write something new that would be suitable for these folks: interesting for the advanced players while still being readily playable by the new students. The result is this arrangement of, “Let All Mortal Flesh Keep Silence.”
The hymn, “Let All Mortal Flesh Keep Silence” may have origins as far back as the 4th Century church, being long used both as a Christmas hymn and to focus worshippers on the mystery of the incarnation and the Eucharist. Thus, this piece is well-suited for Advent, Christmas, or any observance of communion. The tune, PICARDY, comes from a 1680 French song book.
This arrangement maintains the original melody in three contrasting settings bookended between rich sequences of tonal clusters. Solo violin makes the first statement of the melody in silvery harmonics over static chords. Lead violin and cello take the second statement in a contrapuntal fashion over homophonic harmonies. The third statement changes tempo and style to reflect the heavenly adoration of the Lamb portrayed in the text. Here the melody is taken by ensemble violins while solo violin adds countermelody and low strings provide a rhythmic pulse.
So, without further adieu, here is “Let All Mortal Flesh Keep Silence.” Sheet music is available at: Let All Mortal Flesh Keep Silence.
Tuba players get no respect. Relegated to oom-pah-pah’s and whole notes by most composers, a melodic line for a tuba is less common than a blue moon. And don’t even think about tuba solos! er, . . . unless you have to, that is. That’s just the situation I found myself in a few days ago! We are blessed to have a very talented and faithful tubist in our church orchestra who is one of our best musicians (is a tubist a musician or someone who floats down lazy rivers with completely inappropriate quantities of alcohol?). Anyway, just recently, I endeavored to find a solo tuba hymn arrangement for this person to play. How hard could it be, right? Well, when they don’t exist, they’re pretty hard to find! Having already stoked our tubist’s enthusiasm, I couldn’t very well go back and say, “Sorry, there’s just nothing available.” So, sort of like the old commercial tag line, “If you don’t have an oil well, get one!” I went out and wrote a new tuba solo. Fortunately, the whole process just took a few days. The first hymn to come to mind was the traditional spiritual, “Were You There?”, and
since it seemed to be the perfect vehicle for the deep, mellow tones of the tuba there was no need to search farther. Also, I wanted to do something a little out of the ordinary. So, I began to experiment with some polytonality (multiple keys at the same time) and the result seemed to fit perfectly with the ugliness and irony of the first stanza crucifixion setting. Next, I added on major and minor key settings of the succeeding stanzas and left the ending unresolved. That seemed to do it! I now have a solo tuba hymn arrangement and my tubist is a very happy person! Check out the result for yourself in this preview. (Hope to have a live performance recording this summer!) Sheet music available at Were You There?
Excited to announce that my arrangement of Ponder Anew, an arrangement of “Praise to the Lord, the Almighty” [LOBE DEN HERREN] will be debuted by the First Baptist Church of Keller Orchestra at their Spring concert! The concert will occur on May 6, 2018 at 5:30 PM in the First Baptist Church Keller sanctuary. The orchestra is under the direction of Mrs. Laura Vickers and the Worship and Creative Arts ministry is under the supervision of Mr. Matt Perkinson. Mrs. Vickers has even agreed to let me conduct the piece!
Listen to a preview of Ponder Anew below:
My original post introducing Ponder Anew is here.